Drama »

Once you've made emotional mincemeat out of legions of adoring young girls, what's next? How do you transcend tweendom and seduce the seas of adult women (Twilight moms not included)? Bedding Nicole Kidman is a start. Screen Daily reports that Robert Pattinson and Kidman have signed on to star in an adaptation of Guy De Maupassant's Bel Ami. Adapted by Rachel Bennette, the film will be directed by Declan Donnellan and Nick Ormerod.

Published in 1885, Bel Ami is an erotic tale of journalist Georges Duroy and how he sleeps his way to the top of Parisian high society. After a few years of military service in Algeria, Duroy works as a clerk in Paris until he becomes a journalist, aided by Mme Forestier (presumably Kidman). She helps write his first articles, he works his way up to chief editor, and she uses her political connections to get him the information he needs, which also leads him to his own network of increasing power. Bit by bit, he sleeps with influential women, using his loins to work his way to the top.

If you've seen Little Ashes, this is just wiping away the Dali quirks and throwing Pattinson into a Parisian life roughly 25 years earlier -- which wasn't quite the visual and social jump then as it is now. And while I wonder why Kidman so often gets cast opposite young males (at least this one's of age!), it's not hard to imagine a retro world of Parisian enticement with Pattinson and Kidman at the center of it.

Production begins this February in London and Budapest.

The 20th Anniversary Edition Blu-ray and DVD of Say Anything came out yesterday, and to mark the occasion, numerous men with lots of free time dressed up in trench coats and hoisted boomboxes above their heads and marched throughout New York City serenading people with the strains of Peter Gabriel's "In Your Eyes," and a cover version of the same song by The Lloyd Dobler Effect. Check them out in the gallery below.

Damn, that movie came out 20 years ago? That makes me feel incredibly old. The first time I saw that movie will be forever burned into my brain since it was my first and only date with the captain of the women's volleyball team in high school. However, the movie on Blu-ray looks better than it ever did back in theaters, circa 1989, and hopefully it'll inspire legions of Lloyd Dobler fans for years to come that will fare better than I did.

The Blu-ray version of the movie is a 1080p high-definition upgrade of the original DVD release from 2002, along with a newly remastered 5.1 audio mix. In addition to the upgraded image and sound, this includes all the features from the previous version (commentary from Cameron Crowe, John Cusack, Ione Skye, deleted scenes, and more), along with three new featurettes. The best of the bunch is "An Iconic Film Revisited: Say Anything... 20 Years Later" featuring new interviews with Crowe, Cusack, Skye, John Mahoney, and Nancy Wilson.

I'm grateful for this Friday, because that's the day that The Men Who Stare at Goats comes out and I can stop seeing its trailer relentlessly attached to anything and everything I see (and given that I try to see most anything and everything out there, it's really only a 'me' problem, I suppose). One night, I had myself a triple feature and saw the preview not one, not two, but three times; as a pal put it, he had "more than a feeling" that I was getting sick of it.

Before that, it was a summer of Taking Woodstock time and time again, and it would already seem that Shutter Island's move to February will insure that I'll be sitting there, trying to piece the thing together for the next three months when not perfecting my New England Leo impersonation.

So, whether currently or in your own formative years, what trailers have you been just absolutely burnt out on? Did you and your friends quote along with them as they played? Were you actually ever turned off from seeing a film because you had it advertised to you too much? Come on, let it all out...

While he's one of the main men of superstardom, George Clooney also keeps one foot firmly in the world of quirk and strangeness. He may be Mr. Ocean, but he's also the dude who was in Return of the Killer Tomatoes and The Men Who Stare at Goats. Clooney knows how to be ridiculous, and now he's jumping into a whole new world of quirk.

Variety reports that the actor is in talks to star in the new Alexander Payne dramedy The Descendants. His first feature since Sideways, the film got cooking back in August and follows a rich landowner and father who decides to grab his two hard-to-handle daughters and search for his wife's lover in an attempt to keep his family together -- while she's in a coma after a catamaran accident. ...I still can't fathom the logic behind this one.

This is definitely one of those it's about time! collaborations. Clooney has skirted around the world of Payne with the likes of David O. Russell and Grant Heslov, while Payne grabbed the likes of Matthew Broderick and Paul Giamatti. It's surprising that this didn't come sooner. While Payne's I want to be a little person story still sounds a touch more tantalizing, it's hard to resist the idea of George getting into the mind that brought us Election and Sideways. But the real magic will depend on who gets cast alongside him...

The Messenger opened the 12th Savannah Film Festival with a bang: a sellout crowd, international press, and Hollywood stars Woody Harrelson and Ben Foster in attendance to rub elbows all night. Even without the glitz, though, Savannah was a smart place to screen the Iraq drama. Oren Moverman's film is a character study about a soldier (Foster) dealing with the aftermath of war, but like Kathryn Bigelow's Iraq film The Hurt Locker, it's about the personal toll Iraq leaves on soldiers who survive and the families of those who don't; the politics of war are hardly an issue. And so, in a city that supports two military bases and the men and women who serve them, The Messenger played like gangbusters.

Foster stars as William Montgomery, a recent Iraq returnee dealing with serious leftover issues and a new assignment to play out his final three months of service: informing families that their loved ones have been killed on duty. As Montgomery's partner, Harrelson provides moments of levity, but there were plenty of sniffles throughout the film just the same.

While it was pretty easy to figure out what the general consensus was, there were three figures in particular I was watching for a reaction – the only three uniformed soldiers in attendance, who may or may not have been connected to the production. (The film has been screened for military personnel, and Harrelson and Foster personally met soldiers at Hunter Army Airfield prior to the night's screening.) When asked what military folk have thought of his film in the post-screening Q&A, director Moverman deferred to one of the officers in the audience to share his reaction with the crowd. What follows is the unnamed soldier's impromptu review of The Messenger.

Avatar
A paraplegic marine from Earth has his consciousness transferred into an alien body so he can infiltrate the native people of a distant planet. More so than the teaser, this one gives a better idea of what the story is all about rather than just showing off the digital effects (which ARE pretty awesome). James Cameron's latest hits theaters on December 18.

Green Zone
Military action flick starring Matt Damon as a U.S. soldier searching for weapons of mass destruction in Iraq. The story is inspired by the book Imperial Life in the Emerald City: Inside Iraq's Green Zone by Rajiv Chandrasekaran. The bit about Damon's character wanting to know why things are happening seems kind of heavy handed and I half expected Jack Nicholson to pop up and tell him "you can't handle the truth." Still, this looks like it's got a lot going for it. Watch for this one on March 12.

In the glorious, not-too-distant future, your cinema screen will soon play host to a legion of rippling abs, biceps glistening with oil, and pelvic thrusts set to a synthesized beat. No, it's not the sequel to 300. It's the rags-to-crazy tale of Steve Banerjee, the creator of Chippendales. According to Variety, Banerjee's strange and violent tale is set become a biopic directed by Tony Scott, with a screenplay by Lisa Schrager.

Banerjee's story is one of success, excess, paranoia, and murder. He emigrated to the U.S. from India, and operated a humble Mobile gas station. But he decided that flesh sold better than gas, and bought a failing L.A. club named the Destiny II. He initially traded in female strippers and mud wrestling before realizing that women liked to tuck dollar bills into a well-fit pair of briefs. With some help from Las Vegas musical veterans Steve Merrit and Mark Donnelly, Banerjee created Chippendales. All those gleaming torsos made him very wealthy, but it also made him paranoid. Banerjee began putting contract hits out on those "threatening" his franchise. Former business partner (and Chippendales dancer / choreographer) Nick DeNoia was murdered on Banerjee's orders, others dodged the bullet due to a well-placed FBI informant. Arrested and charged with attempted arson, racketeering, and murder for hire, he never made it to trial due to committing suicide.

Though you might expect this to be shot as flashily as Domino, Scott reportedly intends to return to his True Romance restraint. While that's a blessing, I hope he allows one or two moments of yellow-drenched and sweaty insanity at the end. If there's any movie begging for a bit of painful visuals, it's this one.

Fall brings with it awards season, and among our first round of nominations are those of the British Independent Film Awards. According to Empire, Andrea Arnold's acclaimed Fish Tank took the lead with eight, while Duncan Jones' similarly lauded Moon came up with seven, including one for lead actor Sam Rockwell.

I'm personally happy to see the savage political satire In the Loop getting due notice, especially its expletive-laden screenplay, since it'll likely go overlooked when it comes to Yank laurels (sad but true, although I'll be happy if it's not). Meanwhile, the multiple nods for An Education and Bright Star only parallel their warm reception Stateside and their likely contention in next year's Oscar race.

And after being quietly blown away by it at Fantastic Fest a few weeks back, I'm also glad to see Down Terrace get some love under the Raindance Award category. Enough of these awards, and maybe that puppy'll earn some distribution in our neck of the woods. (You listening, IFC?)

August gave us the voice of Matt Damon in Ponyo, September gave us the inner voice of Matt Damon in The Informant!, and now October has brought us a look at his next two performances.

Clint Eastwood's Invictus is one of the last big likely contenders of the awards season, though it is as of yet unseen (unless those very few who have seen it are very good at being very quiet). Damon plays real-life rugby captain Francois Pienaar, whose team saw the support of Nelson Mandela (Morgan Freeman) as a rallying point around which they might lift the spirits of South Africa in the wake of apartheid. It's political! It's underdog! It's opening in December! It's Oscar bait for certain, and Apple has the exclusive trailer.

Paul Greengrass' Green Zone, on the other hand, was shuffled out of the Oscar race once Universal decided to sort out its slate after a lackluster summer at the box office, and that may have been a wise move. Yahoo's trailer (which is also embedded below) comes across as more of a straight-up actioner than a ready-made contender, with Damon back in Bourne mode as a betrayed soldier on the hunt first for WMDs, and then for answers. Based on the best-seller Imperial Life in the Emerald City, it opens on March 12, 2010.

Frank Sinatra is still what many (if not all) red-blooded man aspire to be. Playing him in a Martin Scorsese biopic is not only a dream job for any actor, it's wish fulfillment on the highest level. Is it any surprise that the some of the biggest names in Hollywood are said to by vying for the role of Old Blue Eyes? The Guardian reports that Johnny Depp, Leonardo DiCaprio, and George Clooney are in fierce competition to land the part, with Universal executives allegedly pushing hardest for the marketable Depp.

It's a tough thing to cast someone like Sinatra. While I certainly like all three men as actors in their own right, I think their own fame makes it impossible for them to disappear under the skin of an icon. This isn't exactly Howard Hughes or John Dillinger, figures that an actor can shape from facts and bits of footage, but still make their own. This is a man we're all familiar with from countless movies, concerts, albums, and television appearances. How do you portray that honestly with Depp, DiCaprio, or Clooney? If forced to choose from the three, I'd pick DiCaprio purely because of the physical resemblance, and politely suggest Clooney play Dean Martin.

Personally, I hope Scorsese finds a semi-unknown for the part (someone on the level of Tom Hardy -- who might actually be really good now that he's sprung to my mind) and steers clear of the A-List. The actor lucky and brave enough won't have to sing, as Universal and Mandalay spent 2 years clearing the rights to Sinatra's catalog, but he still has to be someone you believe to possess that voice. Would you cast one of the Big Three above? Or do you have someone else in mind?