Yeah, he's been around the Judd Apatow world for a while now, between Freaks and Geeks and Undeclared, but I think it was The 40-Year-Old Virgin that really solidified Seth Rogen's stock. He stole pretty much every scene he was in, and now he's hotter than hot. In a recent discussion with Moviehole, Rogen talked up all those projects we've been hearing about for a while.

At the top of the current buzz is The Pineapple Express, so of course, thoughts are already spinning about a sequel. Rogen mentioned refusing to put a "2" at the end of Superbad, but says of the drug movie: "But this one, it's not a precious coming-of-age story like Superbad, it's a weed action movie and if it did well, and they gave us like $50 million (as opposed to the $26 million we got for this one) we could benefit from that." More Huey Lewis? Sign me up!

As for The Green Hornet, they're currently on the hunt for a director, to start shooting early next year, and to be released in 2010. Funny enough, he also didn't seem to know until he started working on the film that Kevin Smith had taken a stab at the story.

But then there's that untitled project with Judd Apatow, which is now called Funny People. He discussed adding Eric Bana to the mix, which Eugene discussed here. As an added perk -- Cinema Blend got a peek at a small part of the script, if you're curious.

Though we're still a couple weeks away, you can't deny a certain level of excitement in the air right now. It kinda smells like chicken ... with a twist of kick ass! The 2008 San Diego Comic Con will slowly release their schedule over the next couple days, and up first is Thursday. We'll run through a few special, must-see events, and you can see the film-related schedule after the jump and the entire Thursday sched on the official Con website.

Thursday, July 24:

• 10:00-11:00 Masters of the Web-For the second year in a row the biggest genre and movie websites are coming together to discuss how new media have affected movie making, what it takes to run a popular site, and much more in a panel discussion and Q&A session. Participants include Robert Sanchez (IESB.net), Garth Franklin (Darkhorizons.com), Mike Sampson (Joblo.com), Erik Davis (Cinematical.com), John Campea (TheMovieBlog.com), Brad Miska (Bloody-Disgusting.com), Eric "Quint" Vespe (Aintitcool.com), Devin Faraci (CHUD.com), Paul Christensen (Movieweb.com), and Kellvin Chavez (Latinoreview.com). Moderated by directors Mark Neveldine and Brian Taylor (Crank 2, The Game). Room 32AB
• 11:30-1:00 20th Century Fox: The Day The Earth Stood Still and Max Payne- Stars Keanu Reeves and Jennifer Connelly, plus director Scott Derrickson and producer Erwin Stoff, present an exclusive look at The Day The Earth Stood Still, Fox's contemporary reinvention of its 1951 classic. "Max Payne" himself-Mark Wahlberg-will be on hand with Mila Kunis, Ludacris, and director John Moore to discuss turning the game's noirish, hard-hitting, and complex world and characters into a movie event.
  
• 1:15-2:45 Summit Pictures-Summit Entertainment presents a sneak peek of exclusive footage of some of its upcoming major film releases: Push (Chris Evans, Dakota Fanning, Djimon Hounsou, Camilla Belle and director Paul McGuigan), Knowing (Alex Proyas), Twilight (Director Catherine Hardwicke, author Stephenie Meyer, and the cast-including Robert Pattinson (Edward), Kristen Stewart (Bella), Cam Gigandet (James), Rachelle LaFevre (Victoria), Edi Gathegi (Laurant), and Taylor Lautner (Jacob))
• 2:00-3:00 Red Sonja: One-on-One-Robert Rodriguez (Sin City), Rose McGowan (Grindhouse), Doug Aarniokoski (2nd unit director, Resident Evil 3) and David White.

So much more after the jump ...

I'll admit it: When I read the story of how Colombian agents managed to infiltrate a rebel commando outpost to bloodlessly rescue politician Ingrid Betancourt and 14 others (including three Americans) who had been held hostage there for six years, not my first (but maybe my second or third) thought was: This could make a great movie. Unfortunately, someone else had the same brilliant idea and beat me to the film rights. A prominent Colombian production company is teaming up with the American producers of this summer's The Strangers to bring the story to the screen. No writer is attached, but Colombian filmmaker Simon Brand (Unknown) is attached to direct.

The movie sounds like it's going to focus on the rescue operation, which is certainly understandable. It's a case of truth being better than fiction -- the rescuers flew in on a civilian helicopter and managed to convince the rebels that they had orders to fly the hostages to a camp to meet with a rebel leader; the hostages got on a helicopter and flew away and the rebels were arrested. Awesome. Upon reading more about what Betancourt went through, though, I'm almost more interested in her six-year hell of being shuffled around anonymous jungle camps to avoid discovery. That had to have been a life-changing experience.

On the other hand, Betancourt has already announced that she's writing a play about the ordeal. So maybe we can have both.

What Just Happened has opened the Karlovy Vary Film Festival to a less than enthusiastic crowd, which I don't find particularly surprising, but Robert De Niro has other things to talk about.

Variety reports that he talked about the possible actors' strike at a press conference this weekend. De Niro said: "I do not think it is a good time to strike now. The issues could be resolved over the next couple of years (without strike action)." He also noted that he didn't think actors have "done their homework" to get a good deal, and that "I do not know if it is the right time to be doing this at all with the economy the way it is." Between the economy and the wake of the last strike, it certainly seems like the worst possible time, although I'm sure some would say a few years is a long time to wait.

While that gets sorted out, De Niro is looking to the future. He says that we should expect at least two more films between him and Martin Scorsese because it's "a lot of fun" to work together. De Niro is currently working on the first of these projects, to be ready for 2009, but does not want to discuss it. (He noted earlier that he was "superstitious about talking about it.")

Meanwhile, there's also The Good Shepherd. He is hoping to make two sequels to the CIA Cold War drama: one detailing 1961-1989, and another that brings Edward Wilson (Matt Damon) to the present day. There's definitely enough material to talk about, but what do you think? Is it time for more Shepherd?

I had never heard of Jacques Mesrine before today, but I should have. Take a look at this Wikipedia entry, which matter-of-factly details the dozens of murders, bank robberies and prison escapes pulled off by the legendary French criminal over a 20-year "career." The best part is that he once fled from a sentencing hearing by taking the judge hostage. How can that possibly work?

Anyway, the story's obviously well-known in France, and it has finally made its way to the screen in a two-part biopic called Public Enemy No. 1, starring (who else?) Vincent Cassel as Mesrine. Budgeted at $80 million, it's one of the biggest French productions ever. At least the first of the films is slated to get an October release in France, and the American rights have gone to Senator Entertainment -- the distributor that helped bury All the Boys Love Mandy Lane after the Weinsteins dumped it. Its president promises to do better with Public Enemy, hoping to have the first film in American theaters by the end of the year. He compares it to GoodFellas and Scarface. Honestly, though, Mesrine sounds like more of a badass than Tony Montana.

The movies were directed by Jean-François Richet, who made the not-terrible American remake of John Carpenter's Assault on Precinct 13 a couple of years back. They co-star Gerard Depardieu and The Diving Bell and the Butterfly's Mathieu Amalric (who will also be seen in Quantum of Solace). Oh, and Ludivigne Sagnier, whom I just saw in the very good Love Songs.

A bunch of bloggers and Peter Travers have already weighed in with glowing early reviews of The Dark Knight, but you were justified if you reserved judgment. The bloggers who were fortunate enough to get a look at the film were pretty squarely in the geek demographic -- which is not any sort of indictment, but just an indicator that they had a very specific perspective on the film. And Peter Travers is... Well, he's Peter Travers. Now, though, come some reviews you shouldn't so readily ignore -- and they're gushy, (almost) unqualified raves.

This from Kirk Honeycutt in the Hollywood Reporter: "[Nolan] builds movies around ideas and characters, and "Dark Knight" is no exception. The ideas here are not new to the movie world of cops and criminal[s], but in the context of a comic book movie, they ring out with startling clarity. In other words, you expect moralistic underpinnings in a Martin Scorsese movie; in a Batman movie, they hit home with renewed vigor . . . . With the film's race-car pace, noise levels, throbbing music and density of stratagems, no one will follow all the plot points at first glance. Not that the story with its double crosses and ingenious plans isn't clear, but to enjoy the full glory of these urban battlefield strategies, multiple viewings are required."

Whoo! And then this from Justin Chang in Variety:

The most unusual film projects pop up in the most unexpected of places. The quick-eyed gang at /film caught a chat between Billboard and The RZA in which the musican / actor dropped a hint about a movie project he was working on. "RZA has developed a martial arts film with Hollywood pal Eli Roth called The Man with the Iron Fist, which he says has "the blessing" of his 'teacher,' Quentin Tarantino."

The combination of those names with "martial arts film" is what had people buzzing. Or at least, those who were dedicated enough to be online providing movie news over the holiday weekend. (Salute them now.) CHUD's Devin Faraci decided to get to the bottom of the story, and e-mailed Roth to find out what was up. It's even cooler than the Billboard quote would have you believe. The Man with the Iron Fist was written entirely by RZA (and has nothing to do with the Marvel character of a similar moniker), and will be his directorial debut.