Even the weirder artists of the twentieth century have been attracted to the allure of Hollywood filmmaking, and Salvador Dali was no exception. In the fall of 1941, the surrealist painter hosted a masquerade party at Pebble Beach during one of his regular visits to the town. Called "Surrealism Night in An Enchanted Forest," the fundraising event, intended to assist European refugee artists, brought out a number of stars, including Bob Hope and Ginger Rogers. It was here, the story goes, that Dali became attached to a major studio production called Moontide. The great German emigre Fritz Lang was hired to direct the movie, and asked Dali to create a three-minute nightmare sequence for the film. Unfortunately, after the incident at Pearl Harbor later that year, Twentieth Century Fox deemed the project too bleak. Lang was replaced, and Dali's nightmare sequence went with him.

Although inspired by the movies, Dali didn't always have the easiest time making them. He would get another chance to inject his hallucinatory vision into American cinema with the hypnosis scene in Alfred Hitchcock's Spellbound, but it's his unrealized projects that truly indicate the scope of the painter's ambition. So many ideas, such little time. Dali: Painting and Film, a breathtakingly unique exhibit currently on display at the Museum of Modern Art in New York, surveys Dali's completed cinematic works in addition to tidbits from the ones that never came to fruition. Marvelously structured to show how his paintings were intentionally cinematic, the exhibit contains all the obvious highlights from Dali's movie career alongside lesser-known productions. The importance in film history of his collaborations with Luis Bunuel remain uncontested; two large screens in separate rooms showing Un Chien Andalou (where the opening eye splicing retains its original gross-out impact) and L'Age D'Or attest to that. Fewer visitors, however, might know about Dali's collaboration with the Marx Brothers on a deliriously strange movie that sounded too good to be true.

This may not have gotten its own post were I not blogging here. But for better or worse I am, and so you get to read about Don S. Davis, who passed away on Sunday at the age of 65.

Davis is one of the many versatile, unheralded character actors to have moved through Hollywood in relative anonymity. I wouldn't say he was a phenomenal talent, though he was certainly very good, but it so happens that he played two pivotal roles on two television shows that, more than any other works of art, shaped my taste in movies and stories when I was a young teenager.

As Captain William Scully, Agent Scully's father, Davis was the heart of what may have been The X-Files' finest hour (as any self-respecting X-Files fan knows, the Season 1 episode in which he appeared was called "Beyond the Sea"). And as Major Briggs on Twin Peaks, he carried one of that show's creepiest, most memorable plotlines. Whenever he would appear, I knew I was in for another amazing Lynchian what-the-hell moment.

• William Vince (1963-2008) - Producer - Oscar-nominated for producing Capote. He also produced Saved!, Just Friends, Ripley Under Ground, The Final Cut, The Snow Walker, The 4th Floor, Air Bud, Air Bud: Golden Receiver, Malicious and the upcoming films Push, The Stanford Prison Experiment and Terry Gilliam's The Imaginarium of Doctor Parnassus, which stars Heath Ledger. He died of sarcoma June 21, in Vancouver. (CBC)

• John Barnes (1920-2008) - Film Historian - Co-founder of the Barnes Museum of Cinematography, which was in St. Ives, Cornwall, England (it closed in 1986) and author of multiple texts, including the five-volume "The Beginnings of Cinema in England, 1894-1901." He died June 1. (Guardian)
• Robert L. Bendick (c.1917-2008) - Director, Producer - Co-produced the Oscar-nominated documentary This is Cinerama and co-directed a follow-up, Cinerama Holiday. He died June 22. (Entertainment Insiders)
• Rodric Beckham (1914-2008) - Former U.S. Army-Air Corp. Staff Sergeant who spent much of World War II in a German POW camp. He appears in Billy Wilder's Stalag 17 along with other WWII POW survivors. He died June 21. (Entertainment Insiders)
• Howard Brandy (1929-2008) - Publicist, Producer - Handled PR for A Hard Days Night, Help! and Privilege and was a publicist for the Police Academy movies, The Karate Kid, Part III, Young Frankenstein, The Last Emperor, The Pope of Greenwich Village, The Last Seduction, Things Are Tough All Over, Runaway Train, Harley Davidson and the Marlboro Man and Gorky Park. He also handled the Academy Awards campaigns for All About My Mother, Sexy Beast and Sweet and Lowdown and produced the 1970s exploitation films Blood from the Mummy's Tomb and The Take. He was apparently the inspiration for the cartoon character Dudley Do-Right, who received his own movie starring Brendan Fraser in 1999. He died June 21 in Los Angeles. (Variety)

I'm sure everyone expected The Dark Knight to close with a Heath Ledger "in memoriam" after the fade to black. So it will. Warner Bros. has released the text of the dedication that will accompany the film, and it reads:


Wickliffe (the IMDb has him as "Comway" but other sources, as well as the dedication, say "Conway") is the Maori special-effects technician who was killed in a stunt car accident last September. He was on a camera truck following the Batmobile around a racetrack when the truck spun out of control and crashed into a tree.
It's very classy of Chris Nolan & Co., I think, to tribute Wickliffe in the same line as the far more famous and publicly-mourned Ledger. Their whole handling of Ledger's death has been on the money; they haven't shied away from showcasing his performance in the marketing, but nor have they given the slightest indication that they're attempting to exploit its profile. The result: going to see the movie doesn't feel the least bit skeevy or off, at least for me.

I am a bit concerned about the possible posthumous Oscar campaign though, especially after Peter Travers semi-officially got it off the ground last week. Since Ledger almost certainly wouldn't have had a shot at it for this role were he still alive, I'm afraid the notion of the "posthumous Oscar" would overwhelm his actual performance, which looks fantastic.

• Dody Goodman (1915-2008) - Comedienne, Actress - Played "Blanche", the principal's secretary in Grease and Grease 2 and Tom Hanks' absent-minded secretary in Splash and Splash, Too (in which Hanks was replaced by Todd Waring). She also appears in Silent Movie, Max Dugan Returns, Private Resort, Cool as Ice, Frozen Assets and Bedtime Story, and she had a recurring role in the Alvin and the Chipmunk cartoons, including the 1987 feature, The Chipmunk Adventure, providing her voice to the character of Miss Miller, adopted mother of the Chipettes. She died June 22 in Englewood, New Jersey. (AP)
  
• Sidney J. Bartholomew Jr. (c.1954-2008) - Production Designer, Writer, Director - Won an Emmy for his work on TV's Pee-Wee's Playhouse before collaborating on most of the Farrelly brothers' films, including There's Something About Mary, Dumb & Dumber, Kingpin, Shallow Hal, Me, Myself and Irene, Stuck on You, The Heartbreak Kid, Say It Isn't So (produced by the Farrellys) and Osmosis Jones, in which he appears. He also co-wrote and directed the 2003 soccer comedy Just 4 Kicks, which starred Tom Arnold. He died June 15 in Los Angeles. (Variety)
• George Carlin (1937-2008) - Comedian, Actor - Appears in Dogma, Outrageous Fortune, Bill & Ted's Excellent Adventure, Bill & Ted's Bogus Journey, Jersey Girl, The Prince of Tides, Car Wash, Scary Movie 3, Jay and Silent Bob Strike Back, With Six You Get Egg Roll and the documentaries The Aristrocrats, F*ck, Outfoxed: Rupert Murdoch's War on Journalism and The N Word. He also voiced characters in Cars, Happily N'Ever After and Tarzan II. For info on his death, read William's full post.
• Cyd Charisse (1921-2008) - Actress, Dancer - Starred in Singin' in the Rain, Brigadoon, Party Girl, Ziegfeld Follies, The Band Wagon, It's Always Fair Weather, Two Weeks in Another Town, The Silencers and Silk Stockings. For info on her death, read my full post.

Not four years ago, my father took me to see George Carlin perform his stand-up routine live as a belated birthday gift, and what a pleasure it was to see one of my favorite comedians display his considerable - and considerably crude - talents within spitting distance of my impressionable young psyche.

Even if that weren't the case, it would still be extremely sad to see Carlin go, as Reuters unfortunately reports. He appears to have passed away just last night of heart failure, at the age of 71.

Carlin had nearly thirty film and TV credits to his name, and while his most recent role happened to be in Happily N'Ever After of all things, he'll surely be more fondly remembered for his roles in Bill & Ted's Excellent Adventure and Dogma, and for his numerous Emmy-nominated stand-up specials and Grammy-winning comedy albums.

Of perhaps the slightest comfort and tribute was the fact that the news of his passing had me uttering aloud one of his "Seven Dirty Words", a routine which brought him to Washington, D.C. in order to tangle with the U.S. Supreme Court back in 1978... and yet, earlier this week, the Kennedy Center offered him reason to return to the nation's capital three decades after the fact, when they were to honor him this November with their annual Mark Twain Prize for lifetime achievement in comedy.

Our thoughts go out to his loved ones. He will undoubtedly be deeply missed.

I'm not the most knowledgeable man when it comes to dance, but I'm at least a little familiar with Cyd Charisse. As everyone should be. Next to Ginger Rogers, she was possibly the most iconic female dancer in film history. Even those of us cinephiles who skip out on most dance musicals have at least seen her famous number from Singin' in the Rain (above). A few years ago, when Moviefone counted down the Top 10 Best Dance Scenes, it was #2 (just behind Dirty Dancing).

Charisse has died of an apparent heart attack at the age of 86, and she's hopefully joining old partners Fred Astaire and Gene Kelly for some of the best dance scenes ever seen up in heaven. With the former, she was paired up in The Band Wagon, Ziegfeld Follies and Silk Stockings (for which she received a Golden Globe nomination), and with the latter, she danced in Brigadoon, It's Always Fair Weather, Invitation to Dance and, of course, in Singin' in the Rain.

Make-up, animatronics and effects legend Stan Winston passed away on Sunday at the too-young age of 62. In memoriam, Cinematical humbly presents this list of the man's most enduring achievements.

Some of my most treasured movie memories -- childhood and otherwise -- are courtesy of Stan Winston. What impressed me about this list as I was making it was that Winston specialized in realizing the imaginations of our greatest filmmakers -- directors like Burton, Spielberg, Cameron. Winston was a genius himself, of course, but he also facilitated genius, and that's just as important. Those guys owe him so much.

He had many accomplishments beyond the ones I've listed. That's what the comment thread is for.


1. Jurassic Park's Dinosaurs.

It's hard to describe the impression Jurassic Park made back in 1993. I was 9 years old, which was just old enough to be properly amazed. This was the new generation of popular cinema: perfect, lifelike wonders on the screen as if it were the most natural thing on the planet. Earlier technicians did a lot with simple puppetry, stop-motion and miniatures, but now all bets were off, and all barriers seemed lifted. Once you accepted the scientific goofiness of the film's premise, no further suspension of disbelief was necessary. Winston opened the gates to a whole new cinematic playground.

• Eliot Asinof (1919-2008) - Writer - Author of the book "8 Men Out," which was made into the John Sayles film Eight Men Out, and the novel "Ten Second Jailbreak" which became the 1975 Charles Bronson film Breakout. He also appears in Eight Men Out and Sayles' Sunshine State. He died of complications of pneumonia June 10, in Hudson, New York. (NY Times)
• Tim Russert (1950-2008) - News Commentator - Appears as himself in the documentaries Fahrenheit 9/11, Why We Fight, The Hunting of the President and Martial Law 9/11: Rise of the Police State. He died of a heart attack June 13, in Washington, D.C. (Washington Post)

• Keith Best (1922/1923-2008) - Engineer - Built the titular bridge of The Bridge on the River Kwai. He died of cancer June 1, in York, England. (The Press)
• Arthur Bloom (1920-2008) - Sound Technician - Sound recordist for Fame, Wall Street, Sophie's Choice, Brighton Beach Memoirs, The World According to Garp, Married to the Mob, One Trick Pony and the music documentary Festival. He was also a boom operator for The Warriors, Kramer vs. Kramer, Starting Over,The Prisoner of Second Avenue and The Boys in the Band. He died June 10. (Entertainment Insiders)
  
• Algis Budrys (1934-2008) - Writer - Author of the novels "Master of the Hounds," which became the 1972 film To Kill a Clown, starring Alan Alda and Blythe Danner, and "Who?," which was made into a 1973 film of the same name (also known as Robo Man), starring Elliott Gould. He died of metastatic malignant melanoma June 9, in Evanston, Illinois. (Chicago Tribune)

A number of sources are reporting that pioneering make-up, special effects, and animatronics wizard Stan Winston has died at age 62 -- far too soon. No word yet on cause of death.

The word "legend" gets tossed around a lot when famous people die, but Stan Winston is a legend. He brought to life the Terminator, Jurassic Park's dinosaurs, Predator, Edward Scissorhands, and the Penguin, just to name a few. Even now, when one would think the advent of CGI would have started to make him obsolete, his practical effects genius got him work on movies like Iron Man and the forthcoming Terminator Salvation. I guess it was inevitable that in the age of computers, Winston would go from creating wonders to perfecting them. But Iron Man owes a great deal to him. He kept Tony Stark from looking silly in that metal suit.

Far from being obsolete, Stan Winston is irreplaceable. Movie lovers will never forget him.